EZ Kilim
Carpet tape, digital print, acrylic paint on plastic packaging, 90x80cm
F(E)D(E)XT(E)XT(E)
Carpet & aluminium tape, digital print on plastic packaging, 80x82cm
B(O)D(E)NSH(I)FT(E)R
Carpet & aluminium tape, digital print on plastic packaging, 89x55cm
Yorkshire Grit: A1 digital print cut & folded into a ‘sixteenth’ type booklet. Based on a short walk through moorland up to Simon’s Seat in the Yorkshire Dales during the grouse shooting season.
Some of the language used in this publication relates to the (old) semantic/descriptive system of grading rock climbing routes.
https://www.ukclimbing.com/logbook/crags/simons_seat_north_yorkshire-1246
Stolen Poetry
The entire text from Chaucer’s The Millers Tale copied and typeset in Broken English 23 (Gill Sans Semi Bold spliced with Microsoft’s Old English). Printed and bound, 28pp, 105x210mm.
More Stolen Poetry
All lyrics and titles from Unknown Pleasures copied and typeset in Oblivion 24. Printed and bound at work, 24pp, 105x210mm.
Aleister Crowley
KONX OM PAX
Konx Om Pax: Essays in Light is a publication by British occultist Aleister Crowley, first published in 1907.
Asemic Writing
Asemic writing is a wordless open semantic form of writing. The word asemic /eɪˈsiːmɪk/ means “having no specific semantic content”, or “without the smallest unit of meaning”. With the non-specificity of asemic writing there comes a vacuum of meaning, which is left for the reader to fill in and interpret. All of this is similar to the way one would deduce meaning from an abstract work of art. Where asemic writing distinguishes itself among traditions of abstract art is in the asemic author’s use of gestural constraint, and the retention of physical characteristics of writing such as lines and symbols. Asemic writing is a hybrid art form that fuses text and image into a unity, and then sets it free to arbitrary subjective interpretations. It may be compared to free writing or writing for its own sake, instead of writing to produce verbal context. The open nature of asemic works allows for meaning to occur across linguistic understanding; an asemic text may be “read” in a similar fashion regardless of the reader’s natural language. Multiple meanings for the same symbolism are another possibility for an asemic work, that is, asemic writing can be polysemantic or have zero meaning, infinite meanings, or its meaning can evolve over time. Asemic works leave for the reader to decide how to translate and explore an asemic text; in this sense, the reader becomes co-creator of the asemic work.
Sideways 